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Vote for Me!, Ben Clanton. The adult snickering behind the childish elephant and donkey candidates somehow didn't tickle my funny bone, and the story didn't really stand up without the secret humor. Also, it left me wondering about the metaphor when the mouse stole the election; the ending felt like a bit of a cop-out.
Sammy In the Sky, Barbara Walsh. I was prepared to resent this book, since I have a strong resistance to obvious bibliotherapy texts. But the intimate pictures of the girl with her dog and family won me over -- it's a story about how a child deals with loss, not an instruction manual on handling emotions raised by a pet's death. I was also impressed that the dog died at home, in this age of vet-handled mercy euthanasia. I guess I should have noticed it was written by a Pulitzer-prize journalist and illustrated by Jamie Wyeth and had more faith.
Happy, Mies van Hout. The picture promised beautiful and odd art, but the delivery left me wonder who the audience was for this emotional dictionary. The one word / one picture format implies tiny children, but they would be confused by the fish expressions, which are sometimes hilariously obvious but sometimes rather obscure. The delicate, sometimes grotesque paint lines extend even to the font of the words, making it sometimes harder to read the emotion than to recognize it on the picture. This would also detract from the fun of a read aloud. I think my kids would appreciate it now more than a decade ago, but they had already fled the library so I couldn't try it on them.
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